Bilingual|Encountering Jinhua 遇见金华・非遗新声(十六):东阳竹编
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2026-08-15 10:39:08
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非物质文化遗产,是流淌在岁月里的文明星河,是藏在烟火人间的精神乡愁。金华,这座浸润婺州风骨的城,以匠心守初心,以时光传文脉,拥有36项熠熠生辉的国家级非物质文化遗产。它们是烟火里的传承,是指尖上的诗意,是刻在浙中大地上不灭的文化根脉。即日起,我们推出双语 Encountering Jinhua「遇见金华・非遗新声」系列推文,带你走近金华非遗,于一器一艺、一俗一韵间,遇见东方美学,读懂时光里的坚守。

Intangible Cultural Heritage constitutes an enduring galaxy of civilization flowing through time, and the spiritual nostalgia embedded in ordinary mortal life. Jinhua, a city steeped in the timeless grace of ancient Wuzhou, upholds its original aspiration with exquisite craftsmanship and inherits cultural heritage across the ages, boasting 36 brilliant national intangible cultural heritage items. They represent heritage rooted in daily life, poetic charm embodied by craftwork, and everlasting cultural roots engraved on the land of Jinhua. From today onward, we launch the bilingual series “Encountering Jinhua: New Voices of Intangible Cultural Heritage,” inviting you to explore Jinhua’s intangible cultural heritage. Through exquisite artifacts, traditional crafts, age-old folk customs and classic rhythms, you will encounter oriental aesthetics and understand the steadfast dedication preserved through time.

本期一起走进东阳竹编,在平面竹编工艺与中国书画图案的巧妙融合中,领略独树一帜的工巧技艺,感受深厚的民间美术底蕴。

This episode takes us into Dongyang Bamboo Weaving. In the ingenious fusion of flat weaving craftsmanship with Chinese painting and calligraphy, we discover its singular artistry and feel the profound depth of folk art heritage.

东阳竹编

东阳竹编历史悠久,在宋代以编织元宵节的龙灯、花灯、走马灯而著名;明清时期迅速发展,被选为贡品;民国初期进入全盛时期。东阳竹编取材讲究,手工剖竹篾细如发丝,柔如蚕丝;其以立体编织为主,结合平面编织技艺,同时借鉴书法、绘画等多种艺术,将平面竹编工艺与中国书画图案相融合。

东阳竹编取材上较为广泛,以传统人物与动物为主。东阳竹编,编织精细,造型生动,色彩典雅,实用与欣赏完美结合,在工艺竹编中独树一帜,具有浓郁的民间美术特征,为当代最有影响力的工艺竹编流派之一。2008年被列入第二批国家级非物质文化遗产代表性项目名录。

婺剧俗称金华戏,是我国古老的剧种之一,历史悠久,是中国戏曲的活化石,主要分布于以金华、衢州为核心的浙中地区及浙南、赣东北、闽北、皖南等地。历经500多年历史,婺剧原汁原味地保留了高腔、昆曲、乱弹、徽调、滩簧、时调等多种声腔以及秦汉以来各种艺术表演的痕迹,脚本文辞典雅,叙事通俗易懂。婺剧有自己独特的声腔体系和角色体制,在表演过程中,有独特的脸谱、服装和道具等行头与化妆形态,特别善于文戏武做、武戏文做,堪称一绝。婺剧传统剧目丰富,六大声腔类剧目500多种,以口为传;器乐分“随唱器乐”“做介器乐”“场头器乐”三类。

婺剧是浙中地区先民智慧结晶,是婺文化的典型代表,也是我国戏剧表演艺术的瑰宝,梅兰芳先生曾说:“京剧要寻自己的祖宗,看来还要到婺剧中去找。”

2008年6月,婺剧被列入第二批国家级非物质文化遗产代表性项目名录。

婺剧俗称金华戏,是我国古老的剧种之一,历史悠久,是中国戏曲的活化石,主要分布于以金华、衢州为核心的浙中地区及浙南、赣东北、闽北、皖南等地。历经500多年历史,婺剧原汁原味地保留了高腔、昆曲、乱弹、徽调、滩簧、时调等多种声腔以及秦汉以来各种艺术表演的痕迹,脚本文辞典雅,叙事通俗易懂。婺剧有自己独特的声腔体系和角色体制,在表演过程中,有独特的脸谱、服装和道具等行头与化妆形态,特别善于文戏武做、武戏文做,堪称一绝。婺剧传统剧目丰富,六大声腔类剧目500多种,以口为传;器乐分“随唱器乐”“做介器乐”“场头器乐”三类。

婺剧是浙中地区先民智慧结晶,是婺文化的典型代表,也是我国戏剧表演艺术的瑰宝,梅兰芳先生曾说:“京剧要寻自己的祖宗,看来还要到婺剧中去找。”

2008年6月,婺剧被列入第二批国家级非物质文化遗产代表性项目名录。

金华酒是中国历史名酒之一,以悠久的历史、独特的酿造技艺、清洌甘醇的色味和养生益体的功效在众多黄酒中自成一格。春秋战国之际,金华就已出现以糯米、白蓼曲酿造的“白醪酒”。唐宋以后,金华酒以优异品质而驰誉海内,跻身全国名酒行列。金华酒传统酿造技艺十分独特,其造曲方法独特,原料除麦粉外,又加入蓼草汁以促进发酵和增强辛辣感;用曲方法新异,用白蓼曲的同时兼用红曲(米曲),酿造的酒既有麦曲酒的香,又有红曲酒的色泽;时间安排严格,端午前后造曲,冬至后前期酿制,后期发酵紧接前期酿制,灌坛储藏一年左右;酿造工序复杂,有数十道工序,每道工序都要随气候和酿造情况及时调整。

金华酒传统酿造技艺是我国古代早期米酒酿造技艺的典型代表和完整遗存形态,其中蕴藏着丰富的文化内涵。

2008年6月,酿造酒传统酿造技艺(金华酒传统酿造技艺)被列入第二批国家级非物质文化遗产代表性项目名录。

Dongyang Bamboo Weaving

Dongyang Bamboo Weaving boasts a long history. During the Song Dynasty(960-1279), it gained renown for crafting dragon lanterns, fancy lanterns, and revolving lanterns for the Lantern Festival. The craft developed rapidly during the Ming and Qing dynasties (1368-1912)and was selected as tribute tothe imperial court, reaching its heyday in the early Republic of China.Artisans are meticulous in material selection, hand-split bamboo strips as fine as hair and as soft as silk. The craft primarily employs three-dimensional weaving, combined with flat weaving techniques, while incorporating elementsfrom calligraphy, painting, and other art forms to fuse flat bamboo weaving craftsmanship with motifs from Chinese calligraphy and painting. Its subject matter is relatively broad, focusing primarily on traditional figures and animals.

Dongyang Bamboo Weaving is characterized by exquisite craftsmanship, vivid forms, and elegant colors. It achievesa perfect combinationof practicality and aesthetic appreciation, andstandsin a class of its own among woven bamboo crafts. With its distinctive features of Chinese folk art, it is recognizedas one of the most influential schools of craft bamboo weaving today. In 2008, it was included in the Second Batch of Representative Items of National Intangible Cultural Heritage.

g to the latest forecast from the meteorological department, Typhoon Dolphin, the 13th typhoon of the year, is expected to bring significant impacts to Jinhua from the afternoon of August 8 to August 10. At 12:00 on August 8, the Flood Control, Typhoon Prevention and Drought Relief Headquarters activated a Level-II emergency r

With the mysterious layout and the grand and exquisite ancient village, Yuyuan Village Ancient Architectural Complex is the materialization of the spirit of the Yu family and the crystallization of the wisdom and labor of the Yu ancestors throughout the ages. The ancient architecture of Yuyuan Village is hailed as "the dictionary of water town residential architecture in the south of the Yangtze River" for its wide range of construction periods, complete types of buildings, large scale of individual buildings and rich cultural connotations.

Yuyuan Village Ancient Architectural Complex was first built in the Southern Song Dynasty (1127-1279) and has been planned and constructed through successive generations. Currently, it preserves 2 bridges dating from the Yuan Dynasty (1206-1368) and over 130 residences dating from the Ming and Qing Dynasties (1368-1912). The types of buildings include ancestral halls, temples, shops, ancient tombs, bridges, private schools, libraries, stages, flower halls, and residential houses, etc. The ancient buildings in the entire village are divided into three major areas: the upper residential area, the lower residential area and the front residential area, covering an area of 34,000 square meters. It was listed in the Second Batch of Provincial-level Intangible Cultural Heritage Items in 2007. It was included in the Second Batch of Representative Items of National Intangible Cultural Heritage in 2008. In 2025, it was expanded to be a sub-item of Chinese Traditional Architectural Craftsmanship for Timber-framed Structures on the Representative List of the Intangible Cultural Heritage of Humanity.

翻 译 : 曾智超

编 辑 : 姚 欢

一 审 : 刘 婷

二 审 : 吴一帆 桂世豪

终 审 : 沈利群 陈高

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