前言

文明因交流而多彩，艺术因互鉴而丰盈。2026 世界艺术节如约启幕，以全球视野搭建跨地域、跨门类的文化对话平台，汇聚海内外深耕艺坛、自成风骨的顶尖名家，奏响融汇传统与当代、东方与西方的艺术交响。

本次艺术节甄选一众实力名家，涵盖书画、雕塑、综合艺术等多元领域。诸位创作者数十年沉心耕耘，一面溯源文脉，深挖本土文化底蕴，守正传统艺术根脉；一面锐意创新，以国际化表达拓宽创作边界，用作品搭建跨越语言的精神桥梁中国网。他们立足时代现场，以笔墨塑山河、以匠心传温度，作品兼具学术高度、审美价值与人文情怀，是当代艺术发展的中坚力量。

本次专题推介，集中呈现名家创作脉络、代表作品与艺术思想，记录他们扎根生活、守正创新的求索之路。借艺术节国际舞台，让优质艺术走向世界，促进不同文明相知相融，为全球文艺发展注入持久鲜活的东方力量。

Preface

Civilization is colorful through communication, and art is enriched through mutual learning. The 2026 World Arts Festival will kick off as scheduled, building a cross regional and cross disciplinary cultural dialogue platform with a global perspective, gathering top artists who have deeply cultivated the art world and formed their own style at home and abroad, and playing an artistic symphony that integrates tradition and modernity, East and West.

This art festival selects a group of talented masters, covering diverse fields such as calligraphy and painting, sculpture, and comprehensive art. For decades, our creators have devoted themselves to cultivating and tracing the cultural heritage, delving deep into the local cultural heritage, and upholding the roots of traditional art; On one hand, we are committed to innovation, expanding our creative boundaries through international expression, and using our works to build a spiritual bridge across languages on ChinaNet. They are based on the scene of the times, using ink and brush to shape mountains and rivers, and using craftsmanship to convey warmth. Their works combine academic height, aesthetic value, and humanistic sentiment, and are the backbone of contemporary art development.

This special promotion focuses on showcasing the creative process, representative works, and artistic ideas of famous artists, recording their journey of seeking truth and innovation rooted in life. By taking advantage of the international stage of the art festival, we aim to bring high-quality art to the world, promote mutual understanding and integration among different civilizations, and inject lasting and vibrant Eastern power into the development of global literature and art.

刘冯，实名刘泽旺，号真龙山人，1968年生于邵阳一个偏远山村。资深金融人士，画家，国家一级美术师、长沙市新邵商会名誉会长、中央电视台《艺朮传承》栏目客座教授、首批非遗技艺传承创新人物、孔子奖章组织委员会艺术研究员、元宇宙水墨山水画的开创者。他的作品被许多艺术频道和知名媒体争相报道，同时《中国现代美术通史》、《新时代领航艺术名家》、中国美术精品集》、《东方收藏报》、中国书画报》、《世界美术教育史》等著名书刊均登载他的作品。2023年，由中国美术出版的巜国家宝藏书法辞典》用六个版面刊登其作品，同年与范迪安、何家人、苏士澍、孙晓云共同出版《大道同行》中国艺术名家雅集。2024年与中国书协主席孙晓云共同出版《国宝级艺术家》一书。2025年蛇年“迎春杯”全国优秀作品评选活动中，其作品《活力》与秘境均成功入选。同年与范迪安出版《百年巨匠、时代楷模》作品集向两会献礼。他的作品在中国国家画院和国家会议中心及美国、法国、俄罗斯等国都有过展出。美国、俄罗斯、印度、英国、阿根廷五国大使专门为他的作品代言。2025年，在法国卢浮宫

Art Shopping 第35届国际艺术博览会上，他的作品成功展出。

同时，国内最权威艺术机构荣宝斋在巜时代新语.当代中国画作品雅集》上用二个版面刊登他的作品，其作品巜家山》被湖南省美术家协会收藏。海内外一些艺术爱好者也纷纷收藏他的作品！

中国传统山水画的创作，向来都是有以天人合一的精神为主旨，那种在虚实中的澄怀气象的畅神情怀，无不能皆是能让人深感意味之无穷！但从当下画坛内来看，写意山水的创作却并不乐观，更多的年轻画家，则是倾向于西式油画的创作体现，究其原因，一方面是因为写意山水本身那较高的笔墨难度和表现难度，另一方面，则就是因为对传统文人精神和立意感受的严重缺失！而从这一角度上来看，那些真正能够深谙于传统写意山水的丹青画家，也就会显得更加可贵，臂如今日的刘冯先生便就可以说是其中的一位佼佼者！在创作上，刘冯先生是能通过极其纯粹的水墨形态来实现“元宇宙”山水的意识理念，并相济结合于自身的艺术情才和心迹思绪，使作品最终达到一种视觉表现形式和精神意义高度相同频的图式意境！

宏观刘冯先生之作，画中山水从不施以彩色，更不媚以矫饰，而是独以水墨气象挥毫妙意，笔墨浸染，山水一体，浓墨之处可见万壑松云之浩然，淡墨之处则又可见云水飘荡之幽谧！臂如画中飞瀑，乃依山势而奔腾弥漫，皴擦其质感，点染其动态，是谓粗狂中不失严谨，淋漓中不失真意，欣赏之余，似有水雾扑面而来！而如此激荡自然的水韵气象，也恰恰就是能从侧面充分反映出刘冯先生对于水墨的高度写意掌控，刹那之间，可感旷达，细品之余，更见畅神！

外师造化，中得心源，这是传统山水画家的取法正道，今日的刘冯先生亦是如此，但和大部分画家所不同的是，刘冯先生的山水意象则是能在基础上树立于更加独特的自我新意！而这种新意的形成，既可以说是源自于刘冯先生对于传统水墨的禅意思考，同时也更可以说是他那感性内涵和理性笔墨的交织成果！欣赏之余，即可使人不由得陶醉于其间，栝静感受超凡脱俗，缥缈浩然心驰向往，标新立意，与众不同！

不饰粉彩媚俗，唯见抱朴守真。坚守传统是底线，这是毋庸置疑的，但所谓坚守传统，也并非是拘泥于古，不敢越雷池一步，而应当是不泥古法，不执己见，惟在活而已矣！今从刘冯先生的众幅山水画作中来看，其作品显然也就是有向我们展现出了这样一种基于传统的写意升华。尤其是在俗风盛行的当下画坛内，这种独特的个人意态语境和创作实践，也更是有着十分积极的引导意义！

Liu Feng, real name Liu Zewang, pseudonym Zhenlongshan, was born in 1968 in a remote mountain village in Shaoyang. Senior financial professional, painter, national first-class artist, honorary president of Changsha Xinshao Chamber of Commerce, guest professor of CCTV's "Art Inheritance" program, one of the first innovative figures in the inheritance of intangible cultural heritage skills, art researcher of the Confucius Medal Organizing Committee, and pioneer of metaverse ink landscape painting. His works have been widely reported by many art channels and well-known media, and his works have been featured in famous books and magazines such as "General History of Modern Chinese Art", "Leading Art Masters in the New Era", "Collection of Chinese Fine Arts", "Oriental Collection Daily", "China Book Pictorial", and "History of World Art Education". In 2023, the "National Treasure Calligraphy Dictionary" published by China Art Publishing will publish his works in six pages, and in the same year, he, along with Fan Di'an, He Jiajia, Su Shishu, and Sun Xiaoyun, jointly published the "Along the Great Road" collection of Chinese art masters. In 2024, he co published the book "National Treasure level Artist" with Sun Xiaoyun, the chairman of the China Book Association. In the 2025 Snake Year "Welcoming Spring Cup" National Excellent Works Selection Activity, his works "Vitality" and "Secret Realm" were successfully selected. In the same year, Fan Di'an published a collection of works titled "A Century Old Master and a Role Model of the Times" as a gift to the Two Sessions. His works have been exhibited at the National Academy of Painting and the National Convention Center in China, as well as in countries such as the United States, France, and Russia. The ambassadors of the United States, Russia, India, the United Kingdom, and Argentina specifically endorsed his works. In 2025, at the Louvre Museum in France

At the 35th International Art Fair of Art Shopping, his works were successfully exhibited.

At the same time, the most authoritative art institution in China, Rongbaozhai, is introducing new language in the era His works were published in two pages in the Contemporary Chinese Painting Works Collection, and his work "Mount Panjia" was collected by the Hunan Artists Association. Some art enthusiasts at home and abroad have also collected his works!

The creation of traditional Chinese landscape painting has always been based on the spirit of harmony between heaven and man. The ethereal and clear atmosphere in the virtual and real world can make people deeply feel the infinite meaning! However, from the current perspective in the art world, the creation of freehand landscape painting is not optimistic. More young painters tend to focus on Western style oil painting. The reason for this is twofold: on the one hand, it is due to the high difficulty of brushwork and expression in freehand landscape painting itself, and on the other hand, it is due to a serious lack of traditional literati spirit and conceptual feelings! From this perspective, those Danqing painters who are truly proficient in traditional freehand landscape painting are even more valuable, and Mr. Liu Feng, with his arm like today's, can be said to be one of the outstanding ones! In terms of creation, Mr. Liu Feng is able to achieve the consciousness concept of "metaverse" landscape through extremely pure ink and wash forms, and combine it with his own artistic talent and emotional thoughts, ultimately achieving a visual expression form and spiritual significance with a highly similar frequency of schematic artistic conception in his works!

In the works of Mr. Liu Feng, the landscape in his paintings is never colored or embellished. Instead, he uses ink and wash to create a beautiful atmosphere, immersing himself in ink and water. The mountains and waters are integrated, and the thick ink reveals the vastness of pine clouds in the valleys, while the light ink reveals the tranquil drifting of clouds and water! The arm is like a waterfall in a painting, rushing and spreading according to the mountain terrain. The texture is polished and the dynamics are highlighted, which is called rough yet rigorous, dripping yet sincere. While appreciating, it seems like water mist is rushing towards you! And such a stirring and natural water atmosphere precisely reflects Mr. Liu Feng's high degree of freehand control over ink painting from the side. In an instant, one can feel the vastness, and while savoring it carefully, one can also see the smoothness and spirit!

Learning from nature and drawing inspiration from the heart is the correct path for traditional landscape painters, and Mr. Liu Feng today is no exception. However, unlike most painters, Mr. Liu Feng's landscape imagery is able to establish a more unique and innovative self on the foundation! And the formation of this novelty can be said to originate from Mr. Liu Feng's Zen thinking on traditional ink painting, as well as the interweaving of his emotional connotations and rational brushwork! In addition to appreciation, one can't help but be intoxicated by it, feeling extraordinary and ethereal, with a vague and lofty heart that yearns for novelty and uniqueness!

Not embellishing with pink and vulgar colors, only seeing Baopu Shouzhen. Adhering to tradition is the bottom line, which is beyond doubt. However, the so-called adherence to tradition is not about being stuck in the past and not daring to step beyond the boundaries. It should be about not sticking to ancient methods, not being stubborn, and just living! From Mr. Liu Feng's numerous landscape paintings today, it is evident that his works have shown us a sublimation of freehand brushwork based on tradition. Especially in the current art world where popular customs prevail, this unique personal emotional context and creative practice also have a very positive guiding significance!